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    2002.9---2004  A documentary of the historical Shanghai

    2004.5  Han Yuqi Exhibition Curator


     “Left Bank of the Seine of the East Films & Images Exhibition ”  (M50 ShanghART, Eastlink Gallery, Bizart)

    2004.9    Han Yuqisolo films and images exhibition《Samsara》

    Living  Death Samsara------the concept digital photos of Yuqi HanIt is the different idea and comprehension of living, death and the meaning of being that bring about the different perception and art sense.  People are always happy to seek the source of life and realize the philosophy within it, even though they will never find the truth about living- Death and Samsara. Rahter then a discovery in digital photos ,the works are the dedueation from the Samsara and the view of mordern  life. For the life is glorious, the soal is lone, and the photos are beautiful.

    Living 

    You will never foreknow the being of the life, therefore the course of living is mysterious.The human life likes a window, when you look the world from the window, some feeling can always come upon to you.
    Death
    It seems simply in a sense that death is only an end,though we can”t accept it. At this moment ,maybe time is the best and cruelest treatment. Buddha tell us that we could reborn after death, and we call it ninvana. So death is the end of living and the start of it at the same time.
    Samsara
    There are many invisible ways to get the reborn and return. By the means of procficing  asceficism and going beyond everything. You will go to and fro freely in the cosmos passages.

    2005        Han YuqiExhibition Curator
    Image tunnel –the nostalgic arts festival of Suzhou Creek

    We will use some modern film editing of montage to express the charming of video tunnel, which can give prominence to the interacting relationship among the urban history background 、old film and inheritance of buildings. The purpose of this film festival is in order to bring the urban people think about the problems on urban buildings、old films、city culture、protecting and re vitalization of inheritance…

    March       the Time of Silent Film----Starting from Silent
    April        the First Wave of City Film
    May         Dusty Memory over Forty Years----Style and Chinese Characteristics
                 A display of over one hundred film posts
    September    Shanghai Household
    October       Memory Filed of the City
    November     Oriental Seine by the Left Bank, Suzhou River, Past and Present of  M50 
    December     Documentary Exhibition: Meeting on the left bank of Suzhou River\
    December     Image Tunnel of Centennial Chinese Films

    2006.1     Photography exhibition :Three Figures in Two Years

    2006.1-2   Exhibition: Review of Posts and Postcards of Image Tunnel in 2005  Designed by Huang Zhenqing
    2006.6    Yu Ping(a member of China Folk Photography Association ) photography exhibition:  Guard the Spiritual Home
     
    2006.10    Zhang Xianyong Conceptual photography exhibition

    There is always a lively scene, a crowd of people in Zhang Xianyong's works. The unique nostalgic old buildings of Shanghai make the whole background and people from different decades fill the pictures. They are scenes of exaggerated silent film and humorous plays of life.
    However, in most of his works, all the people are just himself.  In the nostalgic color and mood, he is alone. In the house with no one else there, in his own world, he is the director, actors, cosmetician, director of photography... he is everything.
    
    It is because this "loneliness" that he can think freely and leave everything behind to play out the contradiction and confusion he feels. 
    
     
    2006.12   《It started from Silence》
    
    
    2007.6   Junbo Ren、Fuhua Xia Photography of Buddha Woodcarving Handicraft
    
    The Buddhism culture has profound meaning and long history. The woodcarving crafts of Buddha have different shapes and face expressions and are mainly used in the temples. The major raw material is camphor tree and its fragrance can prevent the mildew and moth. The carving craft is exquisite and complicated. It is secretly come down from generation to  generation  in the countryside. All these provide abundant resources for the photography of woodcarving handicrafts of Buddha.
    
    2007.7       Han Yuqi《The Flower FairiesA Dream Of Shanghai》
    
    The dreamed experience, and the true dream, become part of this era of changes.
    
    In fact, this cabin had no address number when HAN Yuqi got here. At that time, there were No 18 and No 20, but just no NO 19. SO she felt that the number should be 19.
    
    There seems mysterious power in this No 19 cabin, which is standing beside the river bend of Suzhou Creek, and it has witnessed  heritages escape from Shanghai Urban Planning. Having successfully saved M50, HAN begin to pay more attention to the disappearing culture and architectures in Shanghai.
    
    Then came the Flower Fairies. The idea of Flower Fairies started from a series of HAN’s oil paintings created during 1993 to 1996. In 2006, HAN and her mother created the first real Flower Fairies with silk.
    
    One time, HAN took a blue Flower Fairy to the building site and seen many different un-rebuilt places in Shanghai, art lofts and mysterious old buildings before Shanghai EXPO. It became the witness of the city development again.
    
    And more wonderful thing happened. “The Flower Fairies” (shanghai unviersity students are my the flower fairies too) have come into the reality: a group of young students came to Cabin NO 19 and recorded the changes happening the city with me.
    
    As we have dreams, where the Flower Fairies, where the stories. we record the fabulous history and see the bright futuer.
    
    
    2008.4.29   Alart Image Salon(the first activity was held for internal members)
    Altstadt, directed by Han Yuqi
    Dazhongli,directed by Zhou Yang
    Design Works, directed by Ling Yiliang
    Footprints of Hudec,directed by Cintia
    Great Yangpu, directed by Du Yichao and Liu Zhengyang
    
    2008.5.3 Alart Image Salon
    Public Art in Shanghai,directed by Ling Yiliang
    Eyes,directed by Guo Bin
    Old camphor wood suitcases,directed by Liu Zhengyang
    
    2008.5.17  Alart Image Salon :On the Way  …
    1. A Wander around the Metro
    2. Disappearing Ferries , directed by Zhou Yang
    3. A Walk in the Night,directed by Du Yichao
    4. Trapped in Nanhui,directed by Shen Shuai
    
    2008.7.19       Alart Image Salon
    A terrible trip to Sanqingshan Mountain (by Fang Cao)
    On the night before the Dragon Boat Festival the author read an attractive article on the Internet and three days later he joined a team of strangers and went to Sanqingshan Mountain. But the bad weather and a series of small accidents made the trip a terrible one. So, he went on trip full of hope and came back with disappointment. However, is this experience really terrible? Maybe it will become the most wonderful memory later in his life…
    
    Returning to Xitang (by Fang Cao)
    The author went to Xitang four years ago. So this visit, he paid more attention to the life there rather than the traditional architectures. Today’s Xitang has lost her quietness, and is crowded with tourists. However, as the night comes, everything is different. The lights going on, travelers sit on the bridge to view the beautiful scenery, and local people gather to chat. And Xitang becomes a paradise…
    
    Park and Shanghai People  (by Lisha. Image) 
    Hailing from Wuhan and fascinated by local Shanghainese culture, Lisha, a project manager at a sportswear company during the day, has decided to pick up photography seriously until last year. The story she will bring happened in a park: a stage of local people’s daily activities. What’re these common scenes like in a foreigner’s eyes? Let’s see…
    
    Seeking Naitō Konan’s Footprints: the Changes of Nanking (by Qin Feng)
    One hundred years ago, Japanese professor Naitō Konan came to Nanking, travelled to many tourist interests in four days and published a book when he came back to Japan. The places he went to at that time are also the places today’s travelers will visit if they go to Nanking. But now it’s hard for us to imagine what were they like one hundred years ago. Some of the tourists and citizens can tell the brief stories of these places, but more have been forgotten. The author was born in Nanking and now works in Shanghai. He went back to his hometown in holidays and felt the changes of Nanking following Naitō Konan’s trace…
    
    Punk, Shanghai (by Myn Chan)
    As an expat living in Shanghai, the author found another world in this city – a bar for punk lovers. Let’s feel the hot air there with the author’s camera…
    
    2008.8.16  Three Photographers’ Steel Factory
    The Third Steel Factory of Shanghai is under construction: it will be part of the exhibition area of 2010 Shanghai EXPO. Lots of photographers try to enter this aged big factory and record its last days.
    
    Last Industry in the City       by Monaiderichu
     
    A Glamorous  Farewell        by Sadiea Lupin
     
    Before the EXPO              by Han Yuqi
    Three people went to shot the Steel Factory at different times. What different pictures will they bring us?
    
    
    People Living in Shanghai  (by Dong)
    The author takes a Seagull TLR camera into the streets and lanes of Shanghai. He shots whatever interests him, no matter they are Shanghai natives or foreign here. He just wants to shot the people living in Shanghai.
    
    Things in My Eyes (by Guan Jianghua)
    The author entered the favela and bars in Nanjing to show a different world, got to know others’ living conditions, and meanwhile made his own spiritual world complete.
    

    2008.9.20   Alart Image Salon
    Marginal Taxis   By Chad Grochowski
    In the marginal area beside the Maglev Station in Pudong, there’re many tricycles serving as taxis. Tricyclists from different parts of the country make their living by carrying passengers, in the sun or the chilly wind. And they also have to avoid the confiscation by the police. Chad Grochowski, a photographer from USA, saw these people and began to shot them. What does he think of these marginal taxis? And what are the stories between the photographer and the tricyclists?

    City·Shadow
    By GUO Bin

    Photographer at 《Vogue》Magazine
    At night, the city is vibrant with shimmering neon light, yet people’s faces are so blurred.
    Against its hustling and bustling, people’s backs and silhouettes are just silent and tranquil.
    Luxuriance is fleeting; figures in the picture are traceless.
    The momentary vivacity seems to disappear along the faded silhouettes.
    What remains is nothing but the hazy scenery.
    With a kind of intoxication, the appreciator, together with figures in the picture, are lost in the scene and could not find the way back.

    Impression·Berlin

    By CAI Wei
    Master Student at JiaoTong University

    To a boy who has never been abroad, a month’s trip to Berlin was like a short but wonderful dating. He tried to capture the numerous dreamlike moments with films and express the impression of Berlin in his heart.

    Passing-by Yunnan
    By HU Chendi
    Student at St. John University

    Yunnan Province of China is one of the most traveled places, and photographers have been to every corner of this land.

    and of Shangri-la, so many books describing this land added to Yunnan’s glamour.
    It is paradise to photographers and novelists.
    To an ordinary tourist like me, what can I get in this land where tourist industry is well developed?
    In thisChinese-styled travel, with a Minolta Instamatic, I have to seek the touching moments in crowded tourist interests. Time is a passer-by here…

    2008.10.18  Alart Salon @ Image Tunnel

    Plan of Big Shanghai

    By Yiming FENG



    Today’s Wujiaochang Area has become a shopping center in the northeast Shanghai. Long ago, a great plan was carried out there but failed. That was the plan of Big Shanghai. Buildings including the former Shanghai government building, former Shanghai Stadium (now Jiangwan Stadium), former Shanghai Library and former Shanghai Museum were all part of this plan. The purpose of plan of Big Shanghai was to build a powerful government against the foreign force in the concessions. Sadly, the plan was stopped when the War of Resistance Against Japan began…

    Days on the clouds

    By Coffee

    Tibet, the land I’m longing for,
    Is not only a land of mystery, but also land of adventures.
    When I got on the plane, I felt nervous.
    Unconsciously, we’ve taken off.
    I saw clouds from the window, and left everything behind me…

    Impression·Berlin

    By Daoyong LIU

    To a boy who has never been abroad, a month’s trip to Berlin was like a short but wonderful dating. He tried to capture the numerous dreamlike moments with films and express the impression of Berlin in his heart.

    Pursuit ·Memory

    By Shulan YANG
    An encounter was the beginning of a different way of life. How did this student of French major came to Image Tunnel and found it home? As she said, “it’s none of my business, but that’s my destiny. It’s rather that I returned here than that I came to here.”

    2009.4.11  

       
    A Dream of Shanghai  Directed by Lu Yuanmin
     
     
    “I seemed to be dream-walking, and while inside my sleep, capturing images with my camera.” He is fascinated by Shanghai like a young girl lost in a grand, magical city. Guided by his intimate connection with Shanghai, he always shoots at the precise, beautiful moment.
     
    From 1990 to 1994, LU Yuanmin discovered and paid particular attention to the scenery alongside the Suzhou Creek. It was at the time, abandoned by the rapidly developing Shanghai, hidden, neglected and beautifully frozen in time. He was surprised, shocked, and deeply fascinated, as a child dream walking, unconsciously drawn to this river of history. Both the traditional and modern contribute to themes of contrasting elements that appear harmoniously in his photos. His images of those moments, kind of trivial and a little ghostly, became permanent in black and white. Without realizing it, in those years he had become the tacit spokesperson of Suzhou Creek.
     
    “I’m only an amateurish photographer,” he repeats, making sure it is known that he records only for interest. His subconsciously guided records, however, show what we have neglected in our fast-changing world. The history of Shanghai stays in Lu’s photos.
     
    When I first knew Lu Yuanmin in 1993, he was not good with words, only taking photos with a Seagull Camera—even without a lens cap. It was with this China-made camera that Lu kept the precious memory of Suzhou Creek alive. His Suzhou Creek series was exhibited in Image Tunnel in 2004 and 2006.
     
    In this year of 2008, LU Yuanmin shows his latest works. To our surprise, his work has dramatically changed with time. In these new photos, he tried mixing multiple exposures casually with other images, making the viewing experience exude a sense of confliction, and showing a Shanghai full of lusts. LU looks for his own life track in a world of mixed eras and finds a brand-new style.
     
    We have recognized that LU Yuanmin is searching for his way inside the image world, and we’ll keep paying attention to him and his work throughout his journey.

    2009.4.25   Alart Salon
     
    Past Dream · New Comer:  The views of a post-80s Photographer   Yang ZHOU
     
    As a fast developing city in China, Shanghai's old neighborhoods are disappearing at a horrible speed, along with them the lives and memories of people who have lived there for a century. Young and brought up in apartment though I am, I've witnessed that a block of old alleys was torn down within one year, which is quite sad for me even though I have never lived there. Facing the so-called "system", no one can do anything to stop it. This sense of vulnerability urges me to take photos of more similar places.
     
          
    2009.5.9                   
        Discussion of Maleonn’s images
    Photographer Maleonn will come to the salon
     a. More than 200 photographs showing the photographer’s search
     b. Entitled <Second-hand Tang Poems> and <Journey to the West>

    Thus says Maleonn

    Visual art is a challenge to language expression.
    Photography by itself is silent—it cannot tell anything specific. To me, this is our fate. What we own is quite limited. The camera cannot provide logic or clues, but some ambiguous symbols.
    Fortunately, it’s not the end. It is this ambiguity of visual signs that makes a puzzle for the viewer. Where there’s a puzzle, there’re explorers. The curiosity of human beings will force them into the puzzle and to search the way out. That’s the most wonderful part. Everyone find his own exit during this search and interpretation, and thus the puzzle becomes rich and transparent.


    2009.9.26  
     Image Tunnel - 2009 - The Flower Fairies Set Out
     
    From 2006, when they came to Image Tunnel
    On 10th Feb 2007, they witnessed the new start of Image Tunnel.
    From 2007 to 2009, when Image Tunnel supports China's independent directors and photographers, they are the heroes backstage; and when Image Tunnel records the changes in Shanghai, they participate with enthusiasm.

    Now,
    on 1st Sep., YANG Shulan, Image Tunnel's assistant art director flew to France for further education, leaving 10 mini E-magazines.
    on 7th Sep., ZENG Zhini, Image Tunnel's editor flew to USA, leaving beautiful words such as "If I'm not at Image Tunnel, I'm on my way to it!".
    on 3rd Oct., ZHOU Yang, Image Tunnel's chief photographer will fly to UK, leaving numerous photos of Saturday Movie and Alart Salon of Image Tunnel and her own portfolio  "Farewell: the Disappearing Shanghai".
     
    On 26th Sep, ZHOU Yang will share with us the stories entitled "No Farewell"
    In three years,
    from university student to employee at ICS and now about to study in UK
    she persists ...

    2010.8.7   Lecture
        Shanghai Art Industry----Image:the most potential Dark Horse
        Myth on Paper----Stories in Reality
     
    2010.10.23Image Story Salon ----Back Shanghai
        You were overseas in a spring,summer,fall and winter.Listen the stories from London,Lyon and Hamburg.
        Zhou Yang 's stories and works in London, exploring the limit of visual expression. Traditional Chinese Medicine. Here we are.
        Yang Shulan's stories in Lyon,including film museum,robot museum,the first attempt to travel alone and going ahead without leeway.
        Shi Bingbing's stories in Hamburg.


     

    2002.9---2004  纪录保护上海老建筑人文照片资料


    2004.5   韩妤齐策划《东方的塞纳左岸影像展》

    争论止于一本新书。
    5月1 6日下午,关于一本新书的新闻发布会在香格纳画廊的艺术仓库召开。这本叫做《东方的塞纳左岸——苏州河沿岸的艺术仓库>的书,成为苏州河历史和未来规划的最新权威。 这本书用实证的方式阐述了对苏州河沿岸的规划目标,它侧重的是文化艺术空间的含量显然,它要求保留那些艺术仓库。

    书的作者是韩妤齐和张松。张松作为城市规划专家,渴望用实物建筑保留上海工业时代的印记。而韩妤齐是艺术家,她更多是出于对自己这块创作空间的喜爱和害怕失去的焦虑,而开
    始了长达一年半的调查和写作。她已经一年半没有走进莫干山路5 O号里自己的工作室画画了,多少有点不务正业。但是对于希望保留艺术仓库的人们来说,这是福音。

    在争取保留艺术仓库的过程中,2 0 0 3年下半年是最艰难的。那时候,拆除的钢铁机器势不可挡,临近莫干山路5 o号的面粉厂、啤酒厂和造币厂都已经开始变成断壁残垣,.这里也接到了最后的拆除期限。‘韩妤齐说自己亲历了那些令人绝望的拆除现场,挂着"优秀建筑保护单位"牌子的老房子都同样被推倒,那么莫干山路5 O号更是很难幸免。

    很多人在奔走呼告,很多人在努力申诉,上海需要这样的文化空间和精神家园_,城市需要这种在时间中沉淀的粗犷的材质,国际化都市应该有这么一块将过去和现代结合得如此紧密的区域。很多复杂的原因促成拆除的步伐终于不再向前。在新闻发布会上,‘上海市城市规划局副局长伍江透露,市领导最近基本明确了态度,保留艺术仓库。这里可能会成为一个文化艺术区域。于是,这本书也成为苏州河沿岸艺术仓库拆还是留的争论即将结束的天然标志。

    2004.9   韩妤齐摄影《轮回》


    对于生存、死亡,以及在这世上的意义的认知,所不同的理解和不同的观念造就了对事物不同的感悟力、艺术观。生、死、轮回也许是一个永远也没有确切答案的问题、但人们却乐意不断地去寻觅领悟生命生生不息的源泉和蕴涵的哲理。这次作品与其说是对数码影像的探索,倒不如说是对当今的人生观念、生命轮回的演绎。因为“生命是灿烂的,灵魂是孤独的,影像是美丽的。”

    生命的存在总是不可预知的,因而生命其持续存在的过程又显得犹为神秘,人生就象一个窗口,一个人站在窗口看世界,总能悟出一些什么。

    死亡从某种意义上说只是一种停止,道理可以看得很简单,但人的感情往往无法接受停止,时间是最好的、也是最残酷的疗效剂。(佛主告诉我们死之后亦将重生,谓之——捏盘),故死又是——从生的结束到生的开始。
    轮回
    生命的回归、轮回有许多无形的通道,修炼升华、超脱了一切,那将在这宇宙的无形通道中自由地畅游。


    2005  全年“影像隧道”——苏州河怀旧艺术节:
    本次活动预期采用蒙太奇的现代剪辑手法来表现影像隧道的魅力,进而突出城市历史背景、老电影、戏剧、表演等及遗产建筑的互动关系。该系列活动的主要目的是激发生活在现代都市的人们通过怀旧这一题材来共同探讨城市历史建筑、老电影、戏剧、表演等城市文脉及遗产保护和再利用等问题。
    3月  《默片时代——从无声开始》
    4月  《城市电影第一浪潮》


    5月  《40年尘封记忆——风格与中国特色”电影百幅海报展》
    10月《城市记忆场》
    11月《东方的塞纳左岸·苏州河·M50的前世今生》
    12月《穿越中国电影百年影像隧道》


    2006.1     摄影展《2年3人》


    2006.1-2  《2005年影像隧道海报、明信片回顾展》黄臻卿设计
     
    2006.6     余平摄影展《守护精神家园》,中国民俗摄影协会



    2006.10    《张宪勇观念摄影展》



    张宪勇的观念摄影总是一个场景、热热闹闹的一群人、现世上海特有的怀旧情调的建筑物……形成一个舞台的背景,不同时期的人物充满画面,如同一幕幕夸张的默剧,精彩幽默的戏剧人生。。。。。
    而大多的作品中,所有的人都是他一个人,在这深深的怀旧的色调与情调里,他却是“孤独”的,在没有人的屋子里,在他一个人的世界中,他是编导、演员、化装师、摄影师……他是一切的角色,尽情地演绎。
    也正是这种“孤独”,他可以独自思考,他可以坦然地抛开世俗的一切,独自演绎着他内心的矛盾与灵魂深处的困惑。
     
     
    2006.12 《从无声开始》


    2007.6   任俊波佛像木雕工艺摄影


    佛教文化博大精深,渊源流长。木雕佛像,形神兼备,形态各异,主要用于寺庙。其原料主要为樟木,香味防蛀。其手工制作工艺,精湛复杂,在民间村落,祖辈秘传。所有这些。为佛像的摄影创作提供了丰富的资源。


    2007.7   韩妤齐《花精灵寻梦上海摄影》


    梦幻的经历,真实的梦境,融入了时代神奇的变幻。
    其实,韩妤齐到M50的小木屋并没有楼号牌,当时有20号楼,而奇怪的是19号楼是她2002年进来后才莫名其妙的被冠名的。当时就觉得19就应该是这楼的数字。
    而19号楼具有一股神秘的力量,依傍着苏州河的第一弯道,它历经了抢救保护工业遗留的艺术仓库,改变了苏州河的城市规划,继而关注整个上海,诞生了花精灵,最初花精灵形象缘起于韩妤齐1993-1996年创作的一系列《花精灵》的油画。2006年她与母亲的共同的喜欢而用丝纱制作的梦幻精灵。
    这些年来,自2002年保护M50以来,一直关注纪录上海城市正在消失的人文与建筑。
    一次的突发奇想,把一个蓝色的花精灵缠绕着红纱,带进了2010世博工地,无意地介入这个时代,见证了世博前夕的发展。
    于是,不同的花精灵进入了上海城市发展的各个领域,世博工地、神秘古宅、艺术仓库等,她们成为富有传奇见证城市的一个个角色。她们随我经历了这城市的变迁、发展。。。。。她们默默地见证了当下的一切,由玩偶演变成有真实生命的历程,她们那单纯而不带任何情感色彩的双眼,见证了这个时代的变幻,留下了无限的遐想。


    2008.4.29  Alart影像沙龙(首次内部):《老城厢》韩妤齐、《大中里》周仰、《设计作品》凌怡亮、《邬达克的足迹》Cintia、《大杨浦》杜亦超、刘正阳



    2008.5.3    Alart影像沙龙
    《上海公共艺术》凌怡亮、《眼眸》郭彬、《老樟木箱》刘正阳



    2008.5.17   Alart影像沙龙在路上

    回家,路过,偶遇,旅途,赴约,散步,白天,黑夜,街道,梦境,天,地,人……
    我们每天都匆匆行走在各种各样的路上,路过不同的风景,让我们一起分享!
     
    《大轨道漫游》;《远去的轮渡》周仰;《暗夜行走》杜亦超;《困在南汇》沈帅


    2008.7.19   Alart影像沙龙


    清山苦旅(by方草)
    端午前夕,作者在网络上搜寻到一篇言语美妙的帖子,于是第三天,他就加入到一个互相都不认识的队伍里,开始了三清山之旅。但当踏上旅途,加上“天灾人祸”,使得这个言语美妙的旅行变得苦不堪言。虽然他满怀着希望而去,怀着叹惜而返,但这次旅途真的就是不值一提的回忆吗?或许,所有的这些“苦”,到了回忆的时候,倒成了妙不可言……
     
    重访西塘(by方草)
    四年前作者曾游过一回西塘,这次重游,他少了一份对江南建筑的激动,把更多的目光投向了这里的生活。白天的西塘,也少了四年前的幽静,多了游客的嘈杂。但是当夜幕降临,烟雨长廊亮起了昏黄的灯,游人闲坐桥头一览水乡夜景,而当地居民集聚空地上乘凉,都市的现代与乡村的纯朴完美地融合了,这里便成了真人间胜景……
     
    上海公园by Liz. Image
    公园总是像一个舞台,那是上海市民生活的集中之地,不管是晨练的老阿姨,还是黄昏下大牌的大爷,对我们来说都是司空见惯的了。而这些在来自武汉的作者眼中又会是怎么样的风景呢?
     
    寻访内藤湖南的足迹——金陵百年沧桑变迁(by秦风)
    一百多年前,来自日本的历史教授内藤湖南来到南京,在四天内游玩了不少景点,回去之后就出版了游记《燕山楚水》。而他去的这些景点中的大部分恰恰也是今天我们去南京旅游时必去的地方。我们现在再去这些地方的时候,已很难以想象那里当年的风貌。无论是游客,还是南京的住民,或许还能对其中的一些历史、典故等略约说个大概,但更多的已为我们所遗忘所忽略。作者是在上海工作的南京人,利用休假,回到自己的故乡,寻着内滕的足迹,去感受南京百年的变迁……
     
    朋克·上海by Myn Chan
    作为旅居上海的新加坡人,作者发现了上海的另一个世界,那就是朋克爱好者聚集的酒吧。就让我们跟着作者的镜头,去发现这片独特的新天新地……
     
     
    2008.8.16   Alart影像沙龙主题“三个人的上钢三厂—— 为了忘却的纪念”;
    上钢三厂正在接受改造,将要成为2010年上海世博会园区。
    各路摄影师想尽办法走进这个历史悠久的大工厂,去记录它最后的日子。
    《都市最后的工业》莫奈的日出 ;
    《-华丽的谢幕》周仰;
    《走在世博前夕》韩妤齐;
    《生活 片段 上海》Dong;作者带着一台海鸥120双反相机,游走在上海的大街小巷,用正方形的底片记录那些感动他的画面。他不是专拍上海人,也不专拍农民工,他就是在拍摄“在上海的人的生活”。
    《我的眼睛在诠释》管江华;以一种体验,来诠释各种人的生活,以体验其中的自我剖析,来体会他人的生存状态,完善自己的精神世界。作品记录南京中山门城墙下的贫民区,南京酒吧的夜生活。


    2008.9.20   Alart影像沙龙


    边缘出租车——Chad Grochowski
    Media Producer * Artist * Educator
     
    在浦东磁悬浮车站周围,活跃着很多人力三轮车,它们成了一种“边缘出租车”。来自全国各地的三轮车夫骑着装饰各异的三轮车在烈日下或者寒风中讨生活,有时候还要同城管打游击,而来自美国的摄影师Chad Grochowski则为他们拍起了肖像。他是怎样看待这些“边缘出租车”的呢?在摄影师与三轮车夫之间又有着怎样的互动?




    ·郭彬
    《Vogue》杂志摄影师
     
    城市繁华的夜色中,我们看不到人们的表情。
    那些背影、侧影,衬托着城市繁华的影像中没有喧嚣的声音,只有如背影一般的清冷、寂静。
    华丽的画面,繁华即逝,人影不知踪迹;
    凝望此刻华美的片刻,都好像会随着画面里淡进淡出的人影而消失,只留下那些迷离的风景;
    带着夜归人微醺的迷醉,渐渐由清晰变做恍惚,最后看者与画中人一起迷茫在这片华丽的景象里,不知回路。
     
    印象·柏林——蔡惟
    上海交通大学控制理论控制工程研究生
     
    一个月的柏林之行对于初次踏上异国土地的中国男孩如同一场短暂而美妙的约会,他尝试着用胶片去定格那一个个梦幻般的瞬间,诠释心中的柏林印象。
     


    经过·云南——胡辰迪
    华东政法大学文化产业管理系学生


    云南,是一个旅行者早已遍布足迹,摄影师早就深入其血脉的地方。
    无论是丽江的柔软时光,还是香格里拉消失的地平线都为她披上了一层华美的袍。
    拍照的人说这是个能出好照片的地方,写小说的人讲这是个容易有好故事的地方。
    而我,一个普通的旅行者在这个旅游业已深度开发的地方,还能捕捉到些什么呢?
    一场中国式的旅游,一台美能达的傻瓜机,有时注定只能在拥挤又喧嚣的景点里寻找那些惊鸿一瞥的感动了。时间只是经过,恰好停在这里……


    2008.10.18 Alart影像沙龙
     
    大上海计划——冯逸
    现在的五角场,霓灯闪耀,人来人往,已然成为上海东北角的一个商业中心。谁又知道,曾经有一个伟大的计划在这里夭折,那就是“大上海计划”。遗留在杨浦区的旧上海市政府大厦、旧上海市体育场(江湾体育场)、旧上海市图书馆、旧上海市博物馆、旧上海市市立医院5处建筑都是“大上海计划”的组成部分。“大上海计划”目的是为了与上海市内的列强租界相抗衡,凸显民国政府的统治地位。抗日战争爆发后,“大上海计划”被迫停止……
     
    云端的日子—— 咖啡
     
    西藏,向往中的那片土地,除了神秘
    又因为前段时间众所周知的事件,让这次旅行带有了一点冒险色彩
    踏上飞机那刻
    心情是有一些忐忑的
    恍悟中,已经离开地面
    打开飞机侧窗……
    一切都已抛向脑后
    如果还能看到云端……
    那就继续享受,不要奢望能永远,至少记住这个过程……


    路上的风景——刘道勇
    因公,或者因私,有机会离开这个熟悉的城市,总是让人兴奋。陌生的眼光,总是最容易发现那些被日常生活忽略的角落……
     
     
    追·忆——杨淑岚
    上海外国语大学法语系研究生
     
    一次普通的邂逅,牵扯出一段不同的人生。一个法语专业的学生,怎样走进Image Tunnel,怎样在这里生根?用她的话来说:"这本与我无关,但却是必然。与其说我来到这里,不如说我回到这里。"





    2009.4.11   Alart影像沙龙《上海1990-2000影像记忆》陆元敏;


    苏州河-------上海的母亲河
    陆元敏的黑白影像成这个时代的代言人
    “我好似在梦游 把梦游中见到的东西记录下來…….”他迷恋上海就象一个孩子在一个魔幻的城市里迷失了……..在不经意中,他不失时机地咔嚓咔嚓地成就了骨子里与生俱来的上海情结。
    在1990至1994年,陆元敏发现了特有的时间段上海苏州河的人文景象-----在变化飞速的上海,当时的苏州河却好象被遗弃被凝固在古老的缩影里,他被惊讶、被震撼!继而深深的迷恋在其中,就象一个孩子梦游在那无尽的历史长河中,沉迷不已。不同元素,外来的、古老的被他用相机轻易的融合在一起。影像中有点木呐,有点诡异,在黑白中定格了永恒。他无意中成了苏州河那段时期记忆影象的代言人。
      “我是业余摄影师”,尽管他本人一再强调自己只是有趣而去记录,然而,恰恰这种不经意的记录,真实地反映了这个时代被人们所忽略的东西,记录上海正在逝去的历史。
    1993年认识这位五十年代出生上海的陆元敏的时候,就看到不善言辞的他,拿着国产海欧300照相机不停的拍摄,而且有趣的是还没有镜头盖。而他正是用这国产海欧300照相机,成就了苏州河这段珍贵的记忆。
    2004年东方的塞纳左岸影像展与2006年在Image Tunnel展示了他的“苏州河”系列。
    2008年这次在Image Tunnel展出的作品让我们出乎意外的发现了陆元敏的“与时俱进”,以多次暴光的随意组合,画面充满了矛盾的膨胀感,展现了充满各种欲望的上海,时光在交叉中穿梭。
    2009《上海1990-2000影像记忆》让我们惊鸿一瞥 
    生命在平淡中无中生有。他在快速浮尘的世界在默默的寻觅自己的生命轨迹,自由的灵魂迸发出新的理念。  我们看到陆元敏影像的生涯在不断探索积累。厚积薄发是他的一贯作风,Image Tunnel将一直关注他的影像路程。
    2009.4.29   Alart影像沙龙
                  旧梦·新人》周仰一百多张精选的摄影照片
                我是一个在楼房里长大的“新人”,却偏偏喜欢带着相机在上海的老弄堂里穿梭,记录过
    去的梦。我曾见证一片里弄从一个充满生活的空间被拆成空白,除了用相机去记录,我什么也做不了。这
    种感觉很无力,但正是这种无力感让我一次又一次回到弄堂里,于是拆迁成了连接过去与现在、私密与公
    开的桥梁,面临生活的变迁,人们变得乐于表达,于是我得以进入他们的空间,去了解那里的生活。
     

    2009.5.9    Alart影像沙龙《马良影像座谈会》马良;马良亲临现场两多百张作品见证作者的每一步探索


    马良自述
    视觉创作本身其实就是挑战语言表达的一种形式......
    摄影本身注定了是沉默的,它自己并没有可能准确地去诉说些什么。在我看来,这正是所有视觉创作者的宿命;我们所能掌握的极其有限,照相机铺陈不了逻辑和线索,所记录的只能是一些语意不详的视觉符号;以及这些符号之间,不自觉地相互构建而成的某种若即若离的关系。
    所幸的是,一切并非只是那么简单。正是由于视觉的不确定性,作者的主观意图必将会成为观者的迷宫。但是有迷宫就会有探索者,人类的好奇心和求知欲必然会驱使观者不自觉地走入这个迷宫,然后又自觉地开始寻找出路。于是有意思的结果发生了;在这探索和解读中,每个人都找到了属于自己的出口。并且由于观者的各自游走,这迷宫被穿凿成了条条坦途,晦涩最终变得如此丰富和透明。
    我相信只要有诸位观者的存在和参与,一切自然都会变得明朗和清晰,所有支离破碎的东西都必将变得完整。

    2009.9.26   Alart影像沙龙讲述:《没有再见》、摄影集《风人院》、周仰


    Image Tunnel - 2009 - 花精灵展翅
     
    她们从
    2006年 —— 陆续寻找到Image Tunnel

    2007年2月10日——Image Tunnel 起航,代表新生代本土文化的崛起。
    历经
    2007-2009年——Image Tunnel 支持中国独立影像,她们是幕后英雄。
    Image Tunnel 纪录上海,她们是忠实的纪录者。
    如今
    2009-9-1 小管家 —— 杨淑岚 飞往法国留学,留下了10本迷你电子杂志。
    2009-9-6  资深编辑——曾稚妮 飞往美国留学,留下了“我不是在Image Tunnel,就是在Image Tunnel 的路上”等。
    2009-10-1首席摄影师——周仰飞往英国留学,一本她拍摄的《没有再见》的摄影作品集、《风人院》摄影集、《Alart 沙龙》摄影集留在了Image Tunnel。
     
    2009年9月26日 敬请聆听周仰《没有再见》,
    整整三年
    从大学生到——SMG国际频道工作 ——即将英国留学                            
    坚持——艰持——再坚持!


    2010.8.7   Alart影像沙龙 讲座《上海艺术产业—— 影像最具潜力的黑马》韩妤齐
    《纸上的神话—— 现实中的故事》
     
     
    2010.10.23  Alart影像沙龙:《回归上海》''有一个春夏秋冬你在异国他乡'' 伦敦里昂汉堡的故事



    周仰在伦敦的作品与故事:探索视觉表达的极限《中医药在英国》《There we are》
    杨淑岚里昂故事:电影博物馆和机器人博物馆,初次尝试独自旅行,没有退路,只能向前……   施冰冰汉堡的故事……
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